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this relatively unsung drama laid bare the devastation the previous pandemic wreaked on the gay Group. It had been the first film dealing with the subject of AIDS to receive a wide theatrical release.
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The movie begins with a handwritten letter from the family’s neighbors to social services, and goes on to chart the aftermath on the girls — who walk with limps and have barely learned to speak — being permitted to wander the streets and meet other youngsters for that first time.
Well, despite that--this was one of my fav Korean BL shorts And that i Completely loved the delicate and soft chemistry between the guys. They were just somehow perfect together, in a method I can't quite set my finger on.
About the audio commentary that Terence Davies recorded with the Criterion Collection release of “The Long Day Closes,” the self-lacerating filmmaker laments his signature loneliness with a devastatingly casual sense of disregard: “For a repressed homosexual, I’ve always been waiting for my love to come.
auteur’s most endearing Jean Reno character, his most discomforting portrayal of the (very) young woman on the verge of the (very) personal transformation, and his most instantly percussive Éric Serra score. It prioritizes cool style over prevalent feeling at every possible juncture — how else to clarify Léon’s superhuman capability to fade into the shadows and crannies from the Manhattan apartments where he goes about his business?
Ada is insular and self-contained, but Campion outfitted the film with some unique touches that allow Ada to give voice to her passions, care of the inventive voiceover that is presumed to come from her brain, rather than her mouth. While Ada suffers a number of profound setbacks after her arrival, mostly stemming from her husband’s refusal to house her beloved piano, her fortunes improve when George promises to take it in, asking for lessons in return.
“I wasn’t trying to see the future,” Tarr said. “I used to be just watching my life and showing the world from my point of view. Of course, you could see lots of shit permanently; you'll be able to see humiliation whatsoever times; you could always see some this destruction. Many of the people is often so stupid, choosing this kind of populist shit. They are destroying themselves along with the world — they don't think about their grandchildren.
Nearly thirty years later, “Weird Days” is often a tricky watch due to the onscreen brutality against Black folks and women, and because through today’s cynical eyes we know such footage rarely enacts the change nicolette shea desired. Even so, Bigelow’s alluring and visually arresting film continues to enrapture because it so perfectly captures the misplaced hope of its time. —RD
The dark has never been darker than it can be in “Lost Highway.” In fact, “inky” isn’t a strong enough descriptor to the starless desert nights and shadowy corners buzzing with staticky menace that make Lynch’s first official collaboration with novelist Barry Gifford (“Wild At Heart”) the most terrifying movie in his filmography. This is actually a “ghastly” black. An “antimatter” black. A black where monsters live.
Annoyed with the interminable post-production of “Ashes of Time” and itching to obtain out from the modifying room, Wong Kar-wai hit the streets of Hong Kong and — in a very blitz of pent-up creative imagination — slapped together one of the most earth-shaking films of its ten years in less than two months.
Lenny’s friend Mace (a kick-ass Angela Bassett) believes they should expose the footage while in the hopes of enacting real improve.
“Saving Private Ryan” (dir. Steven hindi bf Spielberg, 1998) With its bookending shots of the sun-kissed American flag billowing inside the breeze, you wouldn’t be wrong to call “Saving Private Ryan” a propaganda film. (Perhaps that’s why 1 particular master of controlling countrywide narratives, Xi Jinping, has said it’s one porndude among his favorite movies.) What sets it apart from other propaganda is that it’s not really about establishing the enemy — the first half of this dino tube unofficial diptych, jav guru “Schindler’s List,” certainly did that — but establishing what America might be. Steven Spielberg and screenwriter Robert Rodat crafted a loving, if somewhat naïve, tribute to The thought that the U.
Claire Denis’ “Beau Travail” unfurls coyly, revealing one indelible image after another without ever fully giving itself away. Released for the tail close on the millennium (late and liminal enough that people have long mistaken it for a product in the 21st century), the French auteur’s sixth feature demonstrated her masterful ability to assemble a story by her very own fractured design, her work often composed by piecing together seemingly meaningless fragments like a dream you’re trying to recollect the next day.